ONE: FORE:

ONE:At the railway station a woman, who would accept no gratuity, strewed flowers on the cushions of my carriage, and put garlands along the grooves of the open windows��bunches of ebony flowers, of Indian cork-flowers, lilies, and China roses on the point of dropping, only hanging to the calyx by the tip of the petals. FORE:The jugglers being gone, a boy, to gain alms, opened a round basket he was carrying, and up rose a serpent, its hood raised in anger, and hissing with its tongue out.

ONE:In the middle of the station groups of women and children squatted on the flagstones, their little bundles about them of red and white rags, and copper pots looking like gold; a huddled heap of misery, in this enormous hall of palatial proportions, handsomely decorated with sculptured marble.

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THREE:The air is redolent of musk, sandal-wood, jasmine, and the acrid smell of the hookahs smoked by placid old men sitting in the shadow of their doors.

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ONE:

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THREE:Close to a field that had just been reaped four oxen yoked abreast were threshing out the grain, tramping round and round on a large sheet spread on the ground. The driver chanted a shrill, slow tune; further away women in red were gleaning, and a patriarch contemplated his estate, enthroned on a cart in a halo of sunset gold.As we returned past a village��a hamlet of houses gathering round a well surmounted by a kiosk shading a gaudy idol crowned with red[Pg 176] pinks��a perfectly naked fakir, his straight black hair bound twice round his head like a turban, stood basking in the sun, leaning against a wall, and chanting in a rapid monotone, while two babies, under the shade of a fan-palm leaf, stared up at him and sucked their thumbs.

ONE:"It is made at thirty-five, twenty, fifteen rupees."

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In one vast hall were ancient weapons, swords and pistols, enriched with precious stones; suits of armour damascened with gold, guns with silver stocks set with pearls, and a whole battery of field-pieces to be carried on camels' backs and spit out[Pg 237] tiny balls��enormously, absurdly long, still perched on their saddle-shaped carriages. And in a window bay two toy cannon made of gold and silver, with which Dhuleep Singh used to play as a child before he lost his realm.

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Gauze and muslin dresses moved gracefully about against the background of bamboos and roses. Light footsteps scarcely bent the grass; the ripple of talk, with its sprinkling of Indian words, was sweet and musical. Fireflies whirled above the plants making little tendrils of light; there was dreaminess in the air��an anticipation of fairyland to which the music seemed the prelude.[Pg 12]

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